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Art Gallery

Exhibitions - Sales

Mur en béton


Two exhibitions from  June 19  to  July 14 2022


Florence Devaux-Dabenoc

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Jonathan LHOIR

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Born in 1947 in Paris into a very cultural and artistic family, I have lived and worked most of my life in Copenhagen, Barcelona, Tel Aviv, as well as in New York, Stockholm, Žilina (Slovakia) and La Réunion.

As an urban planner, I was attracted to photography at an early age. It was during my stay in Reunion Island that I found particular inspiration in Chinese philosophy and in the work of the Chinese photographer Lang Jingshan (1882 -1995), particularly in his landscapes in composite photography.

Since 2012, I have devoted myself to the series "Phenographies", suggesting realities that are perhaps unknown but where abstraction is only apparent.

The series has been presented in numerous exhibitions in France, Scandinavia and Central Europe.

I divide my time with my wife between Saintes in Charente-Maritime, and Bratislava (Slovakia).

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Through the test of the elements, let us lose ourselves in phenomena which are only unknown or abstract because we have not seen them.

This series was born out of research into the five elements - wood, water, earth, metal and fire - whose graphic qualities have long fascinated me.

It is also based on Chinese thought, for which all phenomena in the universe result from an unstable cycle of creation and destruction between these five elements.

Photographic combinations of these five elements, the "Phenographs" thus reproduce phenomena to be discovered by each person, based on his or her experience or imagination.

The intentional absence of overly obvious references to scale invites visual journeys between the infinitely small and the infinitely large. It doesn't matter whether your vision matches mine or not - that's also why I didn't want to give titles to the pictures.

Mur en béton

Discover the universe - Follow the news
by Jonathan LHOIR



on the 1st floor of the gallery


Nathalie Houdin

Florence Devaux-Dabenoc

I love to explore many areas of photography.

What I like is to try to look at the world around me differently, to compose with the light, the atmospheres, the framing, the movement,

to identify attitudes, pictorial details, to flirt with the abstract sometimes, in a word to CREATE.


I have a particular affection and attraction for black and white. I find that it allows to go to the essential, to give another dimension to the image and often to exacerbate the graphics.


But whatever technique you choose, the essential is elsewhere. The key word is emotion.

And when I manage to convey the one I felt or the one that the viewer will appropriate by looking at the image,

it is very fulfilling!

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Her exhibition TWIGA ('giraffe' in Swahili) is dedicated to this iconic animal of the African continent and yet endangered. 

This giant of the savannah has lost 40% of its numbers in the last thirty years! "Giraffes are facing a silent extinction" (IUCN). 

The main threat is linked to rapid demographic growth and economic development, which are leading to significant deforestation, and without forests giraffes cannot survive. 

Jacques Prévert wrote in his premonitory Opéra des girafes:
"Once upon a time there were giraffes, there were many giraffes.
Soon there won't be any more, it's Mr Man who kills them... "

"It is impossible for me to imagine the African savannah without their haughty silhouettes, Twiga is my heartfelt cry, my cry of love for these majestic and endearing African icons.

Mur en béton

Discover the universe - Follow the news
by Florence Devaux-Dabenoc